You can find many other church music set lists in the Blog Carnival at fredmckinnon.com, which we participate in each week. Our normal photographer, Dan Canales, was out of town today. But have no fear — Dan asked Ryan Harvey to take photos this week, and Ryan was happy to oblige. Besides photography, Ryan also plays drums. In fact, you’ll be able to hear his mad percussion skills on our Over The Grave album very soon. And now, on to the report. We began this week with a song:
1. Living Faith, written by Bobby Gilles and Brooks Ritter, based on “Hymn 140” by Isaac Watts. When selecting material from Watts to work with for our Isaac Watts project, I found myself drawn to this hymn because it was so challenging:
Mistaken souls that dream of heaven,
and make their empty boasts
of inward joys and sins forgiven
while slaves to greed and lust.
As the title implies, it is a call to pray for a living faith.  The fact that God would even enlighten our darkened hearts enough to have that kind of faith is an act of grace on God’s part.
This song is cut #2 on our upcoming Over The Grave: The Hymns of Isaac Watts: Volume One, which will be available online one month from today. Later this week I’ll share with you the story behind the creation of our cover art for this record, from the artists themselves. Get our updates via RSS to make sure you don’t miss that one.
After singing “Living Faith” we heard the Call to Worship, this week based on Psalm 124:8.
2. Fellowship So Deep, by Aaron Senseman and Kinley Lange, recorded by Caedmon’s Call. We’ve often sang this song right before the Passing of the Peace, and also during Communion. It’s also a good response to the Call To Worship:
We can feel his love among us; we can sing redemption’s song
We can hear the Spirit call us to a place where we belong
For His joy is in our laughter and His comfort in our grief
Let His love here ever after be the language that we speak
We then prayed a prayer of Confession, following it with a contemporary hymn that expresses petition and assurance in the mercies of God to forgive our trespasses:
3. Be Merciful To Me, by Randall Goodgame. This is a simple, plaintive cry for God’s mercy. We love doing it for that very reason:
through shadow dark, and valley deep
be merciful to me
We then read Words of Assurance from Ezekiel 36:25-28 before turning to “the songbook of the Bible” for our next corporate song:
4. Psalm 25, by Joe Day, a pastor at our Acts 29 sister church Mars Hill in Seattle. Joe draws from Psalm 25: 8-10 in this fresh arrangement. You can follow him on Twitter @joeday. Joe’s melody is very memorable, which makes for a great combination when you couple it with the eternal truths of scripture.
Following “Psalm 25” we engaged in the Passing the Peace, which are liturgist led us into by saying:
Before His arrest, beating and bloody death, Jesus said to His disciples:
Peace I leave with you; my peace I give to you. Not as the world gives do I give to you. Let not your hearts be troubled, neither let them be afraid.
John 14:27
Jesus died to make peace between God and man, between his people, Jew or Gentile, slave or free, man or woman, and to give us peace in the midst of the most horrific events possible. This peace is ours through faith in Jesus, His death and resurrection. Let us share this peace with one another by greeting those around you today.
Then Lead Pastor Daniel Montgomery preached on from Judges. As most of you know, The B.C. Blog on our online journal TravelBlog is the place to go for further reflections on our semon series from Pastor Daniel and other Sojourn leaders. In fact, one of Daniel’s most recent articles talked about how to find resources for digging deeper into the book of Judges.
5. Alas and Did My Savior Bleed - Morning; When He Returns - Evening. Two songs, by my two favorite lyricists: Isaac Watts and Bob Dylan. The morning song following the sermon was the famous Watts hymn, set to new music by our own Alex O’Nan and Brooks Ritter. You’ll be able to hear it soon on Over The Grave. The evening band used Dylan’s apocalyptic gospel song “When He Returns” instead. Both make good songs for use during the Lord’s Supper, which we’d planned to partake of during this time.
In light of the swine flu situation we decided to refrain from communion this week. We typically hold communion by having believers come forward in line, tear off a piece of bread, dip the bread into either wine or juice (their choice) and eat it before filing back to their seats. There are only four confirmed or suspected cases in Kentucky, but since we average over 1400 attendees from many parts of the Louisville region, we felt it best to take the precaution of canceling communion for one week.
Another thing we usually do with the Lord’s Supper is a time of Offering. After Sojourners come forward to take the bread and cup, they file back to their seats. Along the way they pass by at least one station where they can drop their tithes and offerings into a basket. To find out why we teach that tithes and offerings are acts of worship that should be treated as part of the worship liturgy, and why we orchestrate the offering the way we do, check out last week’s six-minute audio interview of the Worship: Why We Do What We Do series here on sojournmusic.com and our free iTunes podcast, Sojournmusic.com Radio.
Since we didn’t hold communion yesterday we instructed members to visit the offering baskets after the close of the service. We followed the post-sermon song with a corporate reading adapted from a Puritan prayer. Remember that you can freely use many of our readings in your own church services, as well as the readings of other churches and ministries, which you can find at theopensourcebook.org.
6. Oh Church Arise, written by Keith Getty and Stuart Townend. We sung this as a song of dedication, arising out of gratitude to God for our redemption through the cross. I love the clarity Getty and Townend bring to the nature of our warfare:
Our call to war to love the captive soul
But to rage against the captor
And with the sword that makes the wounded whole
We will fight with faith and valour
7. The God Who Saves, by Caedmon’s Call. This is one of those songs that we’ve had in the Sojourn Music repertoire for years, and it never gets old. Its a great song for the Sending, right before our community announcements and the Benediction:
There is truth in His body raised that third day
there is joy in the stone rolled away
there is hope pouring out of the tomb where He lay
pouring out pouring over the grave
Worship band for the 9:30 am and 11:15 am Sojourn services:
Brooks Ritter — vocals and guitar
Laura Beth O’Nan — vocals
David Weir — lead guitar
Robert James — bass guitar
Alex O’Nan — drums
Scott Slucher — liturgy readings
Worship band for the 5 pm and 7 pm services:
Jamie Barnes — vocals, keyboard and guitar
Rebecca Elliott — vocals and keyboard
Mike Cosper — lead guitar
Phillip Miller — bass guitar
Andy Meyers — drums
Jamie Barnes — liturgical readings
{ 10 comments… read them below or add one }
Okay, I don’t think I know any of the songs. I’m old, old, old. The pictures are always a great touch to your list. Whoever takes them does an excellent job. I love seeing original material, even if it’s a new arrangement of old stuff. Thanks for sharing with us.
This was kind of a Caedmon’s-inspired set list (three songs from Caedmon’s Call records) so if you’re not familiar with them, then that’s half the set list.
Thanks for the comment and for checking us out. Just like many of the readers here, I always look forward to seeing what the photographers have captured.
a few corrections to who played this Sunday.
Dony Erwin was on bass in the AM
Dave Moisan sang lead and played keys in the PM.
Dave Weir was the “marathon man” and played lead guitar all day for an absent Mike Cosper.
Oh, and that’s Katie Vaughan singing with Brooks - not Laura Beth.
One would think that I typed up the band list from the schedule and then forgot to recheck it after services to make sure there had been no substitutions.
Maybe.
Along with Dave being the marathon man, both Jamie and Rebecca served at the St. Matthews site in the morning as well as Germantown in the evening. I’m very thankful for those three.
Bobby, any idea of how the sites will work once the St. Matthews location is officially opened?
And by sites, I mean the websites.
We’re in the process of redesigning sojournchurch.com. When we relaunch it in July it will have a specific page for each campus. All the other pages will be good for both campuses.
Most of the other sites won’t need to be campus-specific, although we’re still working through details (for instance, I’m sure we’ll rotate photos from the St. Matthews campus, just as we do from the different services at The 930).
Either your services are really loud, or you have a great acoustic room, or your drummers are EXTREMELY sensitive. We could NEVER get away without a drum enclosure of some kind. Our drummers would literally BLOW us away.
Thanks for sharing though!
Paulo, it’s probably “all of the above.”
The acoustics are great though.