What Can The Sarah Palin Versus Heart Controversy Teach Us About The Importance Of Song Lyrics?

You may have heard about the McCain-Palin versus Heart story — the Classic Rock band is angry that the Republicans are using Heart’s “Barracuda” as theme music for Vice Presidential candidate Sarah Palin, whose nickname as a young athlete was “Barracuda.” 

It’s an old story, really — Democrat rock star gets angry when Republican politician uses rock star’s music.  In this case the band announced on their website that they “condemn” the use of their song, claiming that McCain-Palin didn’t request permission to use it, nor would Heart have granted permission since “Sarah Palin’s views and values in NO WAY represent us as American women …”

In fact, McCain-Palin did obtain the necessary permission.  My first reaction was that this is another case of “stars” filled with self-importance.  I’m not sure how many people in 2008 (or ever) care how the members of Heart exercise their right to vote.  I suspect that most thoughts about Heart these days revolve around the fact that the band produced two or three singles that have endured as fun karaoke tracks, which turn up on the lips of a large number of American Idol candidates each television season.

But there is something deeper to consider here.  Something that is pertinent not only to our current society’s involvement with music and the arts, but also pertinent to the worship songs that Christians bring to God as congregations, families and individuals: the Republicans are using “Barracuda” to create the aura of Sarah Palin as a hip, tough young reformer who is going to invade D.C. and knock some heads around.  Voters, theoretically, will give themselves over to the energetic beat, pick up on the word “barracuda,” and think, “Battle cry!”

The problem is that the barracuda in this song is “the bad guy.”  The Republicans surely don’t want American voters to see Sarah Palin as the object of these lyrics:

“If the real thing don’t do the trick
You better make up something quick
You gonna burn burn burn burn it to the wick
Ooooooh, barracuda?”

Something similar happened to Bruce Springsteen’s “Born in the USA” in the 1980s, when President Ronald Reagan mistook the bitter, angry anthem as a song of inspiring, unabashed patriotism (although he did not use it officially in his campaigns).  The music was catchy, and the refrain merely repeated “Born in the USA, I was born in the USA,” so neither Reagan nor a good many music lovers paid much attention to the story that Springsteen crafted in the verses, like:

“Down in the shadow of the penitentiary
Out by the gas fires of the refinery
Ten years burnin’ down the road
Nowhere to run, ain’t got nowhere to go.”

Or maybe Reagan did know, and maybe McCain-Palin know.  Maybe they realize that lyrics are one of the last things that many people consider when they listen to music.  Maybe they know the only words that register in the ears of many when these two songs are played are “Barracuda” and “Born in the USA.”

More likely, though, the politicians didn’t consider the full message of either song any more than do many pop radio listeners.  And I hear evidence of the same kind of non-critical thinking from time to time among Christians when talking about worship music.

Christians are a “people of the Book.”  God’s revelation came to us in His Word.  He commands us to read, recite and sing His Word.  Therefore, words are important.  In yesterday’s audio interview here on sojournmusic.com, you heard Dr. John Witvliet and Pastor Mike Cosper talking about how important it is for pastors to take inventory of their church’s songs so they have a full diet: songs of repentance, lament, adoration, offering.  Songs that challenge, songs that inspire.  Songs directly to God.  Songs about God, to each other. 

Vintage 21 Worship Pastor Matt Stevens writes that, when choosing songs for congregational worship, he not only asks “Are these lyrics true?” but “Are these the most important things we can say about God?”

But all Christians should invest this same kind of care.  Really think about the words you’re singing.  Are they true?  Are you using them in the right context?  Are you simply lost in the feeling produced by a good beat and catchy chord progression, or the aesthetic joy of listening to a great singer or guitarist?

At no time in history have people had access to more songs, nor been able to read so many lyrics on computer monitors and Power Point screens, in CD liner notes and hymnals.  There is really no excuse for failing to comprehend and understand the message in the music, whether at a political convention, a church service, a music club or TV show.  And there is particularly no excuse for Christians to fail in these tasks, given that our God commands us to

Let the word of Christ richly dwell within you, with all wisdom teaching and admonishing one another with psalms and hymns and spiritual songs, singing with thankfulness in your hearts to God.

– Colossians 3:16

About Bobby Gilles

Writer of songs like Lead Us Back, Warrior, All I Have Is Yours and Let Your Blood Plead For Me, author of Our Home Is Like A Little Church, and Sojourn Communications Director. Listen to all his songs & read his tips on songwriting & church communications at http://mysonginthenight.com

5 Responses to What Can The Sarah Palin Versus Heart Controversy Teach Us About The Importance Of Song Lyrics?

  1. Ed Schief says:

    Amen. Although we’re aiming at worship of the Almighty, much of the stuff we sing is really about US. I like a lot of these songs, but every once in a while I think, “Am I just singing about myself, here?”

    “And I’m madly in love with you…”
    “I worship you, almighty God…”
    “Lord, I lift your name on high…”
    “Change my heart oh God…”
    “I’m trading my sorrows…”
    “He knows my name…”
    “All to Jesus I surrender…”
    “We bow down, we lay our crowns…”

    And so forth. It feels good to sing about me, how I feel, what I’m doing for God, my motives, my intentions, my faith – but is it worship?

  2. Bobby Gilles says:

    Right. I think the important thing is to get a “balanced diet” of themes in worship song (obviously I don’t mean a “diet” that includes incorrect theology). Worship is our response to who God is and what He has done. Of course “what He has done” includes expressions of thanksgiving for our salvation and healing. It also includes expressions of our repentance for sins and songs of dedication.

    But the danger (really, over the last 150 years or so) in the evangelical community is singing ONLY songs that refer to Jesus as the personal savior of the individual singer without a historical or societal framework.

    We also need to make sure we’re telling the complete story. I think Chris Tomlin’s “We Fall Down” is a good song. It’s true; it’s something that we need to do. It also is strong in biblical imagery. But it’s a very simple song with few lyrics, and in certain contexts the message could be lost. For instance, if a church doesn’t teach much about the cross through sermons, song, prayers, creeds, small group studies, and conversation, much of the point of “We Fall Down” will be lost.

    “The greatness of His mercy and love” — do our congregations understand what that means, or is it just about a warm, fuzzy feeling? To the writer of the song and to anyone familiar with the fullness of what it means to call Jesus “the lamb,” it is all about “Christ crucified,” as Paul would say. It is our job to use the song in a context that brings this message out.

  3. Peter says:

    A game my wife and I have developed is to count how many times in a worship song the first person singular is used. That is a quick and easy way to discern the intended object of worship.

  4. Jake Gehret says:

    Very well put, Bobby, especially in your comment. The difficult work of maintaining a balance in our worship is integral to our collective growth in faith. It seems that once the balance of our expression (which both drives and is driven by our most common thoughts and concerns)has gone too off-kilter, we struggle greatly to re-align our theology and our thinking with the Gospel in its fullness. Thank you for reminding (and warning) us of the dangers of apathy.

  5. Bobby Gilles says:

    You’re welcome! I like this: “The difficult work of maintaining a balance in our worship is integral to our collective growth in faith.”

Leave a Reply

Your email address will not be published. Required fields are marked *

*

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>